Book Thread
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Flat as the flattest of flat things made of purest flat.....
I'm still trying to get my head round how the Universe is flat. That I can't quite grasp.
I kind of get it, but a flat thing having a three dimensional topology just ends up confusing me again.
I'm no physicist.
I'm still trying to get my head round how the Universe is flat. That I can't quite grasp.
I kind of get it, but a flat thing having a three dimensional topology just ends up confusing me again.
I'm no physicist.
If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
Don't think in terms of "shape" and it may be easier.mrbadger wrote:...I'm still trying to get my head round how the Universe is flat. That I can't quite grasp...
Related: Friedmann Equation.
You give me that to read after a day writing parallel programming assignments?
I think it'll have to sit on my desktop and wait till I have room to take it in.
Looks interesting though. Starts easily enough anyway. Then it fast heads into 'you've used me too much today' territory for my poor brain.
Beware scientific papers that use the word 'Simply'.....
But anyway. I had something to show. I found this by chance in a second hand book shop a few years back.
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Anyone see why I was so excited to find it? Cost me £1.50, no idea as to its actual value, not that it matters, since resale is not an option.
The book itself is pretty mediocre. Nothing I would have set out to buy deliberately.
I think it'll have to sit on my desktop and wait till I have room to take it in.
Looks interesting though. Starts easily enough anyway. Then it fast heads into 'you've used me too much today' territory for my poor brain.
Beware scientific papers that use the word 'Simply'.....
But anyway. I had something to show. I found this by chance in a second hand book shop a few years back.
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Anyone see why I was so excited to find it? Cost me £1.50, no idea as to its actual value, not that it matters, since resale is not an option.
The book itself is pretty mediocre. Nothing I would have set out to buy deliberately.
If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
I don't like most of it, including the word Kible in every other paragraph. But I did like the concept of 2 separate police forces, not knowing about each other, no one knowing if they are replicants or not, working around each other but never crossing paths. Something about all that part really appealed to me... And then it went nowhere. "Well, I'm not a replicant, so you must be." "Oh my God, you're right! What should I do with my squirrel?"mrbadger wrote: I don't actually like 'Do Androids Dream of Electric Sheep'. I tried to, but like much of Dicks work, it's a hard read.
It's like he just ran out of ideas.
I'm now wondering if it was Alan Dean Foster or John Sladek... Need to dig further... Or am I mixing up different short stories form different authors... I was stuck in France with nothing to do but sit in the sun and read a huge stack of books that were left behind.mrbadger wrote:
I'm sure I've read some Alan Dean Foster, but for the moment I don't recall any specifics. Only it wouldn't have been short stories.
"I've got a bad feeling about this!" Harrison Ford, 5 times a year, trying to land his plane.
Second clue in the book cover mystery (I own both these books, but this image I nicked off the interwebs, so if you wanted to cheat you could google image match it). This one really did cost me a lot of money, because it wasn't a lucky find.
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If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
Both of the books are examples of the technically illegal practice of using cover art intended for one book on other books, which was occasionally done by some imprints licenced to do some or all of the paperback runs of novels.
In both the examples I gave the Imprint (publisher) was Manor Books, and they got into a lot of trouble for the Philip K. Dick Book, which became quite famous, and was thus really quite hard to get a copy of, cost me a fair bit.
The other book was written by an author of only minor success Donald John Pfeil. No-one even mentions his work when talking about mis-use of this particular cover art, making me suspect only few were ever printed using it.
But What Cover Art is it?
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Little surprised no-one got it really. Is that not obviously a Spice Harvester and a scout ship? I get that the Fremen wouldn't be recognized, Lynch didn't represent Stillsuits the way they were in the book, skintight coverings under traditional Arabic style clothing, and neither did the ScyFy Adaption.
Although I'm thinking that from the perspective of someone who is willing to spend hundreds to get my hands on obscure covers of books, so I'm possibly not a reliable witness....
In both the examples I gave the Imprint (publisher) was Manor Books, and they got into a lot of trouble for the Philip K. Dick Book, which became quite famous, and was thus really quite hard to get a copy of, cost me a fair bit.
The other book was written by an author of only minor success Donald John Pfeil. No-one even mentions his work when talking about mis-use of this particular cover art, making me suspect only few were ever printed using it.
But What Cover Art is it?
[ external image ]
Little surprised no-one got it really. Is that not obviously a Spice Harvester and a scout ship? I get that the Fremen wouldn't be recognized, Lynch didn't represent Stillsuits the way they were in the book, skintight coverings under traditional Arabic style clothing, and neither did the ScyFy Adaption.
Although I'm thinking that from the perspective of someone who is willing to spend hundreds to get my hands on obscure covers of books, so I'm possibly not a reliable witness....
If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
Er, why is that illegal, technically or otherwise? Surely, as long as the publisher has paid the proper royalties to the artist for the use of their work, they could put it on as many darned book covers as they choose?mrbadger wrote:Both of the books are examples of the technically illegal practice of using cover art intended for one book on other books
Because the imprint publisher hadn't paid for it, they were given it by the people who had, the main publishers, who were getting them to do the paperback version.
Manor Books had to pay a fine I believe. Maybe illegal is the wrong word, perhaps more breach of contract? They didn't have the right to use the artwork for any other books.
They weren't the only Imprint who did it, or the only one who got into trouble, but it tended to result in contracts being lost, so it wasn't too common.
Manor Books had to pay a fine I believe. Maybe illegal is the wrong word, perhaps more breach of contract? They didn't have the right to use the artwork for any other books.
They weren't the only Imprint who did it, or the only one who got into trouble, but it tended to result in contracts being lost, so it wasn't too common.
If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
OOoooooooh, nice one!mrbadger wrote:Both of the books are examples of the technically illegal practice of using cover art intended for one book on other books, which was occasionally done by some imprints licenced to do some or all of the paperback runs of novels.
I think it's darn cool! So, no worries, you're a good witness. Often, hobbyists and enthusiasts know more about esoteric bits of a subject than the professionals!...Although I'm thinking that from the perspective of someone who is willing to spend hundreds to get my hands on obscure covers of books, so I'm possibly not a reliable witness....
I'm ashamed I didn't recognize the cover art, though I did think it looked familiar in some ways.
I honestly don't remember what edition I first read. I did buy one of the new hardback special editions for a friend of mine's son as a Christmas present, last year. (Last year was "Book Christmas" for my friends and their families - Everyone got cool books!)
"Commissioned" artwork for a book cover would, indeed, be "illegal" to use for other purposes without authorization from the owner. In fact, anyone who doesn't own the rights to the artwork can't use it at all for anything other than individual, personal, use. Images, photos and reproductions could also be restricted use/illegal, no matter their origin if they weren't authorized by the license holder. ie: Taking photos in the Louvre or in art or regular museums is prohibited for a reason.
I applaud your enthusiasm and don't see the cost as anything other than a reasonable cost for someone with such interests.
PS: "Illegal" and "Criminal" are slightly different, usually, terms with certain implications, namely "State/Government/Criminal" law vs "Civil/Contractual/Copyright/Trademark" law. In the end, either usually represents bad news for violators.
I'm not sure what to make of the Folio Society. Aside from a first addition of Hitch-Hikers, I don't own any Hardbacks, and that isn't the Folio one.
But I recently learned that the Folio Society have a release of Dune that is evidently pretty good, lots of nice illustrations, a natty cover (not to my tastes, but at least the cover isn’t a picture from the Lynch movie), and a price tag of £75, which isn't bad.
I've paid far more than that for beaten up old paperbacks.
But if I start down the Folio route I feel I'd be starting over, and they don't seem to have many obscure SF books in their catalogue. Mostly just the *big* names. Bit dull. Some of them I don't even like, and the ones I do I already have, obviously.
Plus I rather like my ratty old books that were, for the most part never meant to last more than a few years post printing 40-50+ years ago.
My local bookshop owner has been a close friend for the last 15 ish years, and we have the same argument every time.
This being one where she hates ordering books for me that to her refined librarianesque eyes look like garbage, but to my ’specialist collector’ eyes, represent a dwindling number of books from a given era of SF publishing, be it the writing, the cover art, the Imprint that handled the paperback release or some other weird reason that justifies my spending a usually insanely high shipping price.
Or she might be right, and I’m just a crazy person
Thing is once these books are gone, they’re gone. There’s no nipping down to Waterstones and picking up new copies.
But I recently learned that the Folio Society have a release of Dune that is evidently pretty good, lots of nice illustrations, a natty cover (not to my tastes, but at least the cover isn’t a picture from the Lynch movie), and a price tag of £75, which isn't bad.
I've paid far more than that for beaten up old paperbacks.
But if I start down the Folio route I feel I'd be starting over, and they don't seem to have many obscure SF books in their catalogue. Mostly just the *big* names. Bit dull. Some of them I don't even like, and the ones I do I already have, obviously.
Plus I rather like my ratty old books that were, for the most part never meant to last more than a few years post printing 40-50+ years ago.
My local bookshop owner has been a close friend for the last 15 ish years, and we have the same argument every time.
This being one where she hates ordering books for me that to her refined librarianesque eyes look like garbage, but to my ’specialist collector’ eyes, represent a dwindling number of books from a given era of SF publishing, be it the writing, the cover art, the Imprint that handled the paperback release or some other weird reason that justifies my spending a usually insanely high shipping price.
Or she might be right, and I’m just a crazy person
Thing is once these books are gone, they’re gone. There’s no nipping down to Waterstones and picking up new copies.
If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
The dreaded second post, sorry, but I had a new thing about books, and n-one else had, so I needed to.
In Heinlein's childrens book 'Farmer in the Sky' there is what seems to me a pretty good description of how one might turn dead regolith on Ganymede (written long before we had any decent information on the real structure of Ganymede) into usable live soil. I was wondering how realistic it is, because it seems somewhat similar to the method employed in the recent movie 'The Martian'. Possibly in the book it was adapted from too, I just got that. Similar that is, except for the material used to introduce the 'live' elements. But I'm working my way through the Dune series again, so I'll be a while yet.
philip_hughes is probably the one to answer this, but only if he'd actually read the book.
In Heinlein's childrens book 'Farmer in the Sky' there is what seems to me a pretty good description of how one might turn dead regolith on Ganymede (written long before we had any decent information on the real structure of Ganymede) into usable live soil. I was wondering how realistic it is, because it seems somewhat similar to the method employed in the recent movie 'The Martian'. Possibly in the book it was adapted from too, I just got that. Similar that is, except for the material used to introduce the 'live' elements. But I'm working my way through the Dune series again, so I'll be a while yet.
philip_hughes is probably the one to answer this, but only if he'd actually read the book.
If an injury has to be done to a man it should be so severe that his vengeance need not be feared. ... Niccolò Machiavelli
I can't remember the method, read it long ago. But, I would assume that most of the desirable properties there would be physical, with a few bits thrown in depending upon composition of the material.
After all, hydroponics/aeroponics might be more efficient, but may also take a bit more to scale up properly.
PH is definitely the guy to answer that. Oh, "PH!"
Whatever... I lol'd.
After all, hydroponics/aeroponics might be more efficient, but may also take a bit more to scale up properly.
PH is definitely the guy to answer that. Oh, "PH!"
Whatever... I lol'd.
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Anything by Neal Asher imo is worth a look if you are into space opera with a fairly hard edge. I love his War Drones in particular, but a big fan of his Spatterjay stuff too, it is just such an interesting ecology easily equal to Dune only in this instance marine rather than desert. Old Captains instead of Fremen.